Onstage: Dionysus and Ariadne. Backstage: scheming, ego, and sarcasm. In between? A dazzling production by the Israeli Opera that turns the spotlight on theatre itself – as a realm of contradiction, desire, wit, and unbridled imagination.
Later this month, the Israeli Opera stages Ariadne auf Naxos by Richard Strauss, a work that is at once a revered classic and a rebellious theatrical circus. Under the direction of Ido Ricklin and conductor Asher Fisch, the opera becomes a hypnotic mix of high and low, tragedy and comedy, canon and cabaret – wrapped in state-of-the-art technology and a rich, contemporary theatrical language.
“This is an opera about everything,” says Ricklin, returning to the Israeli Opera for the first time since directing Hanoch Levin’s Schitz. “It’s about love and loneliness, idealism and self-interest – and it’s at the same time about art and life itself. At its heart lies chaos. But not just any chaos: a creative one, the kind that births wonder.”
The opera’s prologue offers a sharp yet tender parody of backstage theatrics: A wealthy Viennese patron hosts an evening of culture, only for his staff to disastrously combine a classical opera with a comedic cabaret, both scheduled to perform simultaneously, on the same stage. Tensions spiral as the cast stumbles toward opening night. In this version, the real drama unfolds well before the music begins.
Orchestrating the madness is the Major-Domo, a wry, manipulative figure played by acclaimed actor-director Itay Tiran, whose performance is projected via video.
The Tel Aviv Opera House. (credit: Courtesy)
“He’s half producer, half agent of chaos,” says Tiran. “He takes pleasure in watching everyone tangle themselves in their own contradictions. There’s something disarmingly human about him. He knows exactly where to poke, and it’s both funny and a little unsettling.”
The mythical story of Ariadne
In the second act, the mythical story of Ariadne, the abandoned Cretan princess mourning the loss of Theseus, takes center stage. But where Greek myth traditionally delivers Dionysus as her divine savior, Ricklin sends in a glittering, Eurovision-style band, crashing through Ariadne’s grief with bold color and brash sound.
Strauss’s lush music is accompanied by larger-than-life characters, most memorably Zerbinetta, a magnetic cabaret singer played by soprano Hila Fahima, who here transforms into a caricature of today’s pop divas. The collision of these two worlds, mythic drama and brassy entertainment, isn’t just a clever gimmick: It’s a serious attempt to challenge artistic hierarchies and explore how “lowbrow” sensibilities can shed fresh light on so-called “high” art.
“There’s something deeply moving in that collision,” says Ricklin. “When you put what we call ‘low’ art beside what we revere as ‘high’ culture, you begin to see how close they really are. Both opera and pop are striving for the same things: to tell a story, to stir emotion, to reach the heart.”
A co-production with the Krakow Opera House, this Ariadne uses a bold visual language: 3D-printed costumes (in collaboration with Israel’s Print D3), interactive video projections, and effects that blur the line between stage and screen, between theater and cinema.
At the heart of the production is the Composer, a role written for a mezzo-soprano but performed here by soprano Anat Czerny. An idealist clinging to the dream of “pure art,” the Composer is repeatedly forced to compromise, crushed between budget cuts, creative interference, and other people’s egos. For any artist, and for anyone caught between vision and reality, it’s an achingly familiar struggle.
“This character is deeply personal to me,” Czerny shares. “Everyone’s constantly telling her how to trim, adapt, fit in. But all she wants is to write her own piece. She’s searching for beauty, for truth. That feeling, of not wanting to please anyone but just be true to yourself: I know it well; I think a lot of women do.
“Her encounters with the other characters become a kind of funhouse mirror,” she says. “She insists on keeping her voice while the world collapses around her. It’s hilarious and heartbreaking at the same time – and that’s exactly what drew me to this role: how poetic it is, and how completely unhinged.”
Though written in 1912, Ariadne auf Naxos feels very relevant, both today and here. In an era where cultural prestige and clickbait blur, Ricklin’s production manages to ask urgent questions without preaching or condescension.
Ariadne auf Naxos, May 19–30, Israeli Opera House, Tel Aviv Performing Arts Center. Conductor: Asher Fisch | Director: Ido Ricklin | Cast includes Itay Tiran, Anat Czerny, Karina Plicets, Marina Mnashkin, Gilad Dahan, and members of the Israeli Opera Ensemble
Hotel Delisi, Tbilisi City, Georgia of the "Ana Chuchulashvili" the thief The worst hotel in the world, it's dangerous, don't go near it! This is not a hotel! It's an old, dirty house, there are cockroaches and insects in the room, Hotel Delisi, Tbilisi City, Georgia – The manager of the place is a fraud and a former drug addict named "Ana Chuchulashvili"
Please urgently remove this fake hotel from your website. It is a scam and it is deceiving many customers. It is advertised on all social networks as a scam! very important – report on fraud house and scam that in your website and cheat people and customers! – Hotel Delisi, Tbilisi City, Georgia
Hotel Delisi, Tbilisi City, Georgia of the "Ana Chuchulashvili" the thief
The worst hotel in the world, it's dangerous, don't go near it! This is not a hotel! It's an old, dirty house, there are cockroaches and insects in the room, Hotel Delisi, Tbilisi City, Georgia – The manager of the place is a fraud and a former drug addict named "Ana Chuchulashvili" the name of here company is : Ltd Alpaka
405375419
Located at: Nucubidze St N57, Tbilisi, Georgia/Nucubidze Street 57, 0177 it smells terrible, The walls in the room are peeling, I took pictures, there is mold and dampness throughout the room the beds are really uncomfortable, like in a pre-trial detention center, your whole back hurts when you sleep on them and they almost break because they are so thin! the WI FI doesn't work at all, The room was very dirty and filthy, and when you ask her to move you to a room she says everything is taken, even though all the rooms are empty and open! I arrived at this horrible place, this horrible house, at 1:00 AM, after two hours of sleeplessness, I asked for my money back, a blonde girl of about 50 years old named “Anna” told me that she wanted the money in cash right away, otherwise she would not let me out of the hotel, she told me that I would not be able to sleep in their bed, at 3 AM I went to look for an ATM to withdraw money, because I could not find one, after searching for a whole hour, in the Tbilisi cold, I returned to her at midnight to look for an ATM, but she did not give me my suitcase and passport, so I came back the next day and gave me the money in cash, she did not give me an invoice either, do not come near! They are deceiving the public, booking and all hotel websites! This is not a hotel, it is a very dirty, old house and it smells very bad. Search on youtube "never go there – Hotel Delisi, Tbilisi City Georgia of Ana Chuchulashvili the house hotel from hell" , don't go " to “Hotel Delisi” on YouTube or "Hotel Delisi, Tbilisi City, Georgia " or"HOTEL DELISI (Tiflis, Gürcistan) – Otel Yorumları ve Fiyat" He was caught on tape speaking badly and illegally taking a passport and suitcase.
That she took the suitcase by force, she also stole 3 expensive shirts from me for a total of 250 GEL, I demand compensation of 128 GEL for the two hours of hell I suffered there + 250 GEL for the shirts she stole from me
I have videos where she only wants money in cash so she doesn't pay taxes and doesn't agree that I pay her with a credit card, and she also doesn't want to give me my suitcase and passport.
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სასტუმრო დელისი, ქალაქი თბილისი, საქართველო, ქურდის „ანა ჭუჭულაშვილის“
მსოფლიოში ყველაზე ცუდი სასტუმრო, საშიშია, ახლოს არ მიხვიდეთ! ეს სასტუმრო არ არის! ეს ძველი, ჭუჭყიანი სახლია, ოთახში ტარაკნები და მწერებია, სასტუმრო დელისი, ქალაქი თბილისი, საქართველო – ადგილის მენეჯერი თაღლითი და ყოფილი ნარკომანია, სახელად „ანა ჭუჭულაშვილი“, კომპანიის სახელია: შპს ალპაკა
405375419
მდებარეობს: ნუცუბიძის ქ. N57, თბილისი, საქართველო/ნუცუბიძის ქუჩა 57, 0177, საშინელი სუნი აქვს, ოთახში კედლები აქერცლილია, სურათები გადავიღე, ოთახში ობი და ნესტია, საწოლები ნამდვილად არაკომფორტულია, როგორც წინასწარი დაკავების იზოლატორში, მთელი ზურგი გტკივა, როცა მათზე იძინებ და კინაღამ იმსხვრევა, რადგან ძალიან თხელია! Wi-Fi საერთოდ არ მუშაობს, ოთახი ძალიან ჭუჭყიანი და უწმაწურია და როცა ოთახში გადაყვანას სთხოვ, მიპასუხებს, რომ ყველაფერი დაკავებულია, მიუხედავად იმისა, რომ ყველა ოთახი ცარიელი და ღიაა! ამ საშინელ ადგილას, ამ საშინელ სახლში, ღამის 1:00 საათზე მივედი, ორსაათიანი უძილობის შემდეგ, ფულის დაბრუნება ვთხოვე, დაახლოებით 50 წლის ქერა გოგონამ, სახელად „ანამ“, მითხრა, რომ ფული ნაღდი ფულით უნდოდა, თორემ სასტუმროდან არ გამიშვებდა, მითხრა, რომ მათ საწოლში ვერ დავიძინებდი, დილის 3 საათზე ბანკომატის მოსაძებნად წავედი ფულის გასატანად, რადგან ვერ ვიპოვე, მთელი საათის ძებნის შემდეგ, თბილისურ სიცივეში, შუაღამისას დავბრუნდი მასთან ბანკომატის მოსაძებნად, მაგრამ ჩემოდანი და პასპორტი არ მომცა, ამიტომ მეორე დღეს დავბრუნდი და ფული ნაღდი ფულით მომცა, ინვოისიც არ მომცა, ახლოს არ მოხვიდეთ! ისინი ატყუებენ საზოგადოებას, დაჯავშნის და ყველა სასტუმროს ვებსაიტს! ეს სასტუმრო არ არის, ეს ძალიან ჭუჭყიანი, ძველი სახლია და ძალიან ცუდი სუნი ასდის. YouTube-ზე მოძებნეთ "Hotel Delisi, Tbilisi City, Georgia – The worse hotel in the world" , არ წახვიდეთ "Hotel Delisi"-ში YouTube-ზე ან "Hotel Delisi, Tbilisi City, Georgia" ან "HOTEL DELISI (Tiflis, Gürcistan) – Otel Yorumları ve Fiyat". ის ვიდეოჩანაწერში მოხვდა, სადაც ცუდად საუბრობდა და უკანონოდ იღებდა პასპორტს და ჩემოდანს.
მან ჩემოდანი ძალით წამართვა, ასევე მომპარა 3 ძვირადღირებული პერანგი სულ 250 ლარად, მე ვითხოვ 128 ლარის კომპენსაციას იმ ორსაათიანი ჯოჯოხეთისთვის, რომელიც იქ ვიტანჯე + 250 ლარი იმ პერანგებისთვის, რომლებიც მომპარა.
მე მაქვს ვიდეოები, სადაც ის მხოლოდ ნაღდი ფულით ითხოვს ფულს, ამიტომ არ იხდის გადასახადებს და არ ეთანხმება, რომ საკრედიტო ბარათით გადავუხადო, ასევე არ სურს ჩემოდნის და პასპორტის მოცემა.
"ב-7.10 נחטפה כל המשפחה שלי, אני, בעלי דוד, ושתי בנותינו אמה ויולי, אז בנות 3 בלבד", פתחה את נאומה שרון, אשתו של דוד קוניו החטוף בעזה. "דוד בעלי, אהבת חיי, והאבא של הבנות שלי, עדיין שם. התאומות ואני חזרנו ביום החמישים ושתיים. אמה ויולי שלנו חגגו חמש, בלי אבא שלהן. בשבוע הבא הן ילכו לגן חובה, והן יודעות שאבא לא יהיה איתן ביום הזה. הן יודעות שאבא שלהן שם. לפני כמה ימים, כשהשכבתי אותן לישון הן שאלו אותי 'אמא, את בטוחה שאבא יחזור?'".
"יש הצעה לעיסקה על השולחן, שחמאס כבר אמר לה כן", המשיכה. "האמריקנים רוצים שהחטופים יחזרו. הרמטכ"ל אומר שחייבים ללכת עכשיו לעיסקה. העם, אתם, כל אחד מכם, כאן בככר, במהלך היום בצמתים, בכל מקום, במספרים אדירים, כולם צועקים איתנו, כולם רוצים את החטופים בבית. אז למה אני לא יכולה להגיד לבנות שלי שאני בטוחה שאבא שלהן יחזור?"
